Step into a house made of translucent fabric: Do Ho Suh’s solo show lands at M+, stitching diaspora and memory into space
An exhibition that will stay on your mind for a long time after you see it!
Summary
- First museum solo exhibition in the Greater China region: brings together over 30 years of work by Suki Seokyeong Kang, co-presented by M+ and the National Museum of Modern and Contemporary Art, Korea (MMCA).
- 1:1 fabric architectural installation: uses semi-transparent textiles to carefully recreate the artist’s former homes in cities such as Seoul, New York and London, along with her dispersed memories.
- Multi-media and cross-disciplinary works: includes early sculptures exploring the relationship between the individual and the collective, intricate thread-and-cotton-paper works, cyanotypes, and video installations.
When we talk about “home,” do we picture solid brick walls or a series of shifting memories? Korean contemporary artist Do Ho Suh’s first solo museum exhibition in Greater China, “Home Within Home,” is now on view at M+ in Hong Kong. If you’ve seen those intricate, dreamlike 1:1 architectural structures made from colorful translucent fabric on social media, you can finally experience them in person.
- Related reading: Wear a garden on your feet! Artist Shu Katerina creates dreamlike footwear from fresh flowers and vegetables
Recreating a life in diaspora: Full-scale fabric architecture
Do Ho Suh is known worldwide for his distinctive architectural installations made from translucent fabric. Among the exhibition’s most striking works are detailed, full-scale recreations of homes he once lived in across cities including Seoul, New York, and London.
The artist transforms his diasporic experiences of moving between places around the world into visual memories that visitors can see through and walk through. As viewers move through these suspended or three-dimensional fabric spaces, they can take in the delicate stitching and structures while experiencing the artist’s profound reflections on “place” and “fluid identity.”
Exploring the collective and the individual: From early sculptures to experimental works on paper
Beyond his well-known fabric architecture, this exhibition offers a more comprehensive look at Do Ho Suh’s diverse body of work from the 1990s to the present. The galleries feature selected early two-dimensional works and sculptural installations that allude to South Korea’s history of conquest and its military conscription system, exploring the tension between individual will and collective consciousness.
Also on view are highly experimental works on paper, including finely embroidered cotton-paper pieces and cyanotypes, showing how the artist brings his deep interest in materiality into conversation with themes of human connection and identity.
A sense of belonging beyond borders: An ongoing speculative project
Co-organized by M+ and the National Museum of Modern and Contemporary Art, Korea (MMCA), the exhibition also includes Do Ho Suh’s ongoing speculative projects and video installations. Through an interplay of media, it traces his experience of a dual identity shaped by living in different cultural contexts over a long period. These works are more than narratives of the artist’s own life; they are also like a mirror, inviting each visitor to consider how they define “borders” and “belonging” in a changing contemporary society.
Opening September 25, 2027, in the Basement Hall Gallery on Level G at M+, this exhibition is well worth setting aside an afternoon to take in, whether you’re a longtime contemporary art fan or simply looking for a space that might move you over the weekend.
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